Few people, if any, have matched the profound impact on
Utah contemporary modern dance, as has Joan Jones Woodbury, a 1947 graduate of
what is today Southern Utah University. As co-founder of the Ririe-Woodbury
Dance Company, coupled with a 47-year-career teaching at the University of
Utah, she has brought dance to countless people in our state, nation, and the
world, and done so with passion and humor. This year, in the 50th year of
her dance company, the SUU Alumni Association celebrates her
pioneering life in dance and dance education, and warmly
appreciates that her service to the arts over the years has been truly
extraordinary.
She was born in Cedar City to a musical family in 1927,
and her progenitors were among those revered stalwarts who built this
institution. She enjoyed an idyllic country life on the family farm west of
town before moving into a home on Cedar City’s Main Street. It was then that
the five-year-old was enrolled in a tap dance class, as she loved to move and,
truly, has never stopped. While she excelled as a dancer, she found even deeper
pleasure in choreographing and creating dance programs, and that would prove to
be a hallmark of her life. She credits her teachers for allowing her to explore
her possibilities and to express herself. Joan also embraced a strong work
ethic through her father’s ranching and businesses enterprises, and her
mother’s busy performance schedule and teaching of the piano.
The venerable LaVeve Whetten was Joan’s dance teacher in
both high school and college and it was through her encouragement,
as well as that of her parents Lehi M. and Bernella Gardner Jones, that she matriculated
at the University of Wisconsin. There she studied with the renowned
teacher/philosopher Margaret H’Doubler for four years, receiving
both her BA and MFA degrees.
She began teaching at the University of Utah,
studied as the first Fulbright Scholar in dance with Mary Wigman in Berlin, and
in 1964 she and Shirley Ririe founded the Ririe-Woodbury Dance Company. Joan’s
earlier studies with choreographer Alwin Nikolais, helped shape her philosophy and
aesthetic sensibility for the rest of her career. She was privileged to teach
with, and for him, in many locales. Joan has choreographed more than 95 works
and has danced or taught workshops and master classes throughout the United States,
as well as in more than a dozen countries.
The sterling legacy of the Jones family in Cedar
City history is assured, and Jo-An’s siblings have also lived lives of certain consequence.
Brother Kerry has been a businessman and banker, and served as mayor and a council
member. Kenneth has boldly carried on the fabled family ranching tradition in
Iron County and into Nevada. Sister Cynthia, herself a former dance teacher,
has long been a major force in the Cedar City Music Arts Association. Marolyn,
who served with U.S. Representative Walter Granger, went on to be an active
violinist in Salt Lake City. All are thriving to this day.
Joan is married to BAC graduate Charles E
Woodbury and has three remarkable children—Todd, Jeff and Jena—with spouses
Heidi, Debby, and Casey Jarman, and two grandchildren, Lauren and Cali.
In addition to many choreographic grants and
commissions, Jo-An’s many honors include a Chimera Award from the Nikolais
Dance Theatre, alumni recognition from Southern Utah University and the
University of Wisconsin, the Utah Governor’s Award in the Arts, and the
Heritage Award from the National Dance Association. She holds honorary
doctorates from both SUU and the U. Today, Joan works to support the
Ririe-Woodbury Dance Company as it continues its next 50 years into the future.
Joan’s motto of ‘Dance is for everybody’
continues to be a clarion call in our state. A lifetime of sharing her love of
dance and what it can contribute to the public good, and to the souls of
individuals, has set Joan Jones Woodbury apart as a most special sort of artist
and educator: one who reaches from the heart, and without regard to convention
for convention’s sake.
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